Born in Oakland, CA, as a music-hungry youngster, Craig Handy experimented on guitar, trombone, and piano before settling on his first true love, the saxophone. At the age of 11 while listening to the radio, Handy fell under the spell of the transcendent saxophone playing of jazz legend Dexter Gordon. Berkeley High School’s (CA) reputable Jazz Program soon beckoned, and Handy joined the ranks of graduating stellar saxophone talent including David Murray, Peter Apfelbaum, and Joshua Redman, to name a few. He attended North Texas State University and won the coveted Charlie Parker Scholarship which enabled his early college experience as a psychology major and frontrunner in the school’s exceptional One O’ Clock Jazz Ensemble.
His distinctive sound and authentic instrumental prowess were redoubtable traits immediately noticed by artists of stature, especially those committed to nurturing new talent on the bandstand and road. Handy moved to New York in 1986 and began several associations with formidable artists including master drummers Art Blakey and Roy Haynes, South African melodist Abdullah Ibrahim, and the Mingus Dynasty Band. During a Mingus Dynasty engagement, one audience member – none other than an impressed Bill Cosby – approached Handy and eventually invited him to be the featured soloist in his sitcom’s music theme for 1989-90’s “The Cosby Show”. This was followed by a contract to score, produce, and perform music slated for “The Cosby Mysteries” 1994-95 season.
Eager to begin leading his own bands, by his late 20s Handy was already considered a technical master and prodigious post-bop talent. He also relished musical range by performing with veteran vocalist bandleaders such as the iconic Betty Carter and later the irrepressible Dee Dee Bridgewater. He played with Haitian and Salsa bands during this time as well. In 1992 he decided to lead his first of two advanced hard bop recordings on Arabesque Records, Split Second Timing, which featured Handy on both tenor and alto saxophones; pianist Ed Simon; bassist Ray Drummond; drummer Ralph Peterson, Jr.; and guest trombonist Robin Eubanks. Two years later he followed with Introducing Three For All + One, a highly praised trio recording with bassist Charles Fambrough and drummer Ralph Peterson, Jr.
Handy was also a convincing and telegenic actor in Robert Altman’s 1994 film Kansas City, portraying saxophonist Coleman Hawkins. In 1995, he continued playing with the new critically acclaimed band “Chartbusters”, featuring alto saxophonist Donald Harrison, organist Dr. Lonnie Smith, and drummer Idris Muhammad (a harbinger of things to come this fall, if not the past five years) and recorded two releases on the NYC and Prestige labels. Handy toured with Herbie Hancock throughout 1996 to mid-1999, and he led two more recording projects on the Sirroco label – 1999’s Reflections in Change and 2000’s Flow. By this time he had amassed performing and recording credits with Cedar Walton, Elvin Jones, Joe Henderson, George Adams, Freddie Hubbard, and Wynton Marsalis.
For the past several years, Handy has recorded or toured consistently with guitarist John Scofield, trumpeter Charles Tolliver, the John Hicks Legacy Band, pianist Kirk Lightsey, trombonist Conrad Herwig, the Mingus Dynasty Band, and most notably The Cookers – a collective of stalwart leaders renowned for playing that simmers or surges to a boiling point – with brethren Billy Harper, George Cables, Eddie Henderson, Billy Hart, Cecil McBee, and David Weiss. Handy is also touring of late with the Jazz at Lincoln Center Orchestra.
In 2014, Handy returns as an original bandleader and party-starter for his new touring and recording project on the venerated OKeh label, a division of Sony Masterworks. Titled Craig Handy & 2nd Line Smith, Handy draws from his fondness for the music of New Orleans, smack attached to the groove-filled re-imaginings of originals and standards by the late, great organist Jimmy Smith. The release includes cameos by Dee Dee Bridgewater and Wynton Marsalis while filling a rotating drum chair with Jason Marsalis, Herlin Riley, Ali Jackson, and Steve Williams. But the band at the core of the recording springs out of Handy’s current residence in Weehawken, NJ, and shines a light on organist Kyle Koehler, guitarist Matt Chertkoff, and sousaphonist Clark Gayton.
With Craig Handy & 2nd Line Smith, his OKeh debut and first recording as a leader since 2000, tenor/alto/soprano saxophonist Craig Handy presents his initial encounter with an organ ensemble. Released January 21, 2014, the album, which consists of 10 numbers from the songbook of Jimmy Smith – the founder of modern jazz organ expression – grew out of Handy’s realization several years ago that his distinguished resume included no opportunities “to cut my teeth with any of the great organ players.” Handy’s reinterpretation of Smiths’ work includes solos with a creative edge and grooves derived from the tight second-line funk of the Crescent City.
click to email